We’re back with the Fantasy League chatter and this one comes about a month late. We actually recorded this at the end of September (as you’ll hear us mention) but I’m a poor editor so here it is 4 weeks late, and hopefully I’ll have the October results show for you guys soon. Continue reading
It’s been near 3 weeks since I last posted a podcast and this one is a bit different. I was going to record a special intro explaining the shift in content, but I decided instead just to leave the audio 99% raw (with minimal clip insertions) and just let it out there.
In this episode we discuss the 1995 film Underground and the latest David Fincher film Gone Girl in excessive details. It’s been 2+ weeks since the film’s release so I feel fairly certain that for those of you out there interested in the film you would’ve seen the film already.
Enjoy this abridged podcast and look for more full blown content coming back soon. Continue reading
Am I really just to give up entirely and Wong Kar Wai? Last year I was one of the many who championed his foray into action cinema where he made drama the centerpiece with The Grandmaster and I discovered (almost like Columbus himself) the beauty that is In the Mood For Love, so where have I gone wrong?
Wong Kar Wai continues with his disjointed stories that focus on the places that people intersect in and allowing us to be enamoured by how easily the pass by one another and how wonderful it is when they decide to sit and pause and actually interact. We follow two different ‘love’ stories over the course of this film between two different police officers who have recently been left single and alone (which I believe are two not so exclusive states) as they have fleeting evenings of love with estranged women; one being a figure in the underground and the other one who helps in her cousin’s food shop. Continue reading
Here we return after our 200th reprisal and we are now looking at French cinema in the 90s it would seem. The Colors trilogy is one of the more revered series of films from that era and we begin with Blue, like everyone told us to… Continue reading
And so the Every 10 Minutes feature returns, and let’s hope it never leaves my side again, because something about this one showed me this exercise is now very important…
We all love film for so many reasons, and one of them is the obvious visual element. I wanted, like these individuals, to highlight this idea but at the same time without completely taking and repurposing it.
Then I started to question what if the same progression we witness over the film’s complete runtime was able to be condensed into only a few images, but rather than being selective of those images make it completely structured? What would we notice now that we may not have while watching the film? And this idea is born.
The idea is this, take a film and take a snapshot every ten minutes (as close as possible with my feeble shakey hands on VLC) and play with the narrative and focus of the film. This week I want to look at the film from 1992 film The Last of the Mohicans.